How this happened.

photo by coral von zumwait for O Magazine
I first heard of Michael Pollan before The Botany of Desire came out in 2002.  Someone at Chez Panisse had an advance copy of it and it got passed around from cook to cook, and eventually to me.  I devoured it, and started avidly following his career.  Next came Power Steer, the story that changed the meat-purchasing policies at the restaurant and far beyond, and of course The Omnivore's Dilemma.

This guy was saying things I could get behind.  I, along with pretty much everyone else in my corner of the food world, was thrilled to finally have someone on the national stage speaking so eloquently about the things I spent my days and nights pondering.  For the first time since Wendell Berry, we had a calm, studied representative out there drawing people's awareness to the issues we'd devoted our lives to.


For several years after graduating college, every spring I considered applying--or applied--to graduate school.  I'd always assumed I'd be an academic, and nearly enrolled in graduate school twice.  I wasn't really picky about what I wanted to study.  It was more about just returning to school so I could put off having to face real life.  At various points in time I considered an MFA in poetry, a PhD in English, an MSc in Biodiversity and an MA in journalism.  Like I said, I wasn't picky.

Eventually, I reached a point where I realized it might not happen for me, mostly for financial reasons.  So I asked Michael if I could simply audit his class called Following the Food Chain at the Graduate School of Journalism at Cal.

He said no.

Practical professor that he is, he said I was the lowest priority person on his list, after all of the paying GSJ students who wanted to take the tiny seminar, all of the grad students in other programs at UC Berkeley, and the undergraduates.  Community members like me were basically at the bottom of the barrel.  But as a consolation prize, I could come to the first day of the class.  In the unlikely event that a bunch of enrolled students dropped out of the class and no one else showed up to fill the spots, I could then audit.

No dice.  Over 200 people showed up, all thinking the same thing as me.  Michael tried to manage the chaos by asking us all to write on an index card why we wanted to take the class.  I have no idea what I wrote on there, but I filled it out, stayed for the class, and left knowing there was no hope for me to get in.

A couple of days later, I recounted the whole story to my friend Sarah, then a grad student in Architectural History at Cal.  It was obvious how bummed out I was.  She looked at me, totally confused, and asked, "What the heck is wrong with you, Samin?  Don't know know anything about academics?  You have to show him how badly you want this and point out to him all of the ways in which he would be a fool to NOT let you in.  This class is about your LIFE'S WORK!  Write him a letter and tell him everything you'd bring to the class precisely because you're NOT a grad student, but a COOK deeply involved in everything he's teaching about."

Figuring I had nothing to lose, I did exactly that.  And it worked.  He shrugged and said, "Okay, you're in."

Taking that class was one of the two or three best things I have ever done for myself.  It was tiny--I think there were twelve of us in there--and I forged relationships with many of the writers and journalists who comprise my tightly-knit group of literary friends here in the Bay Area through that class.  Most of my officemates, beach buddies, dear friends, and colleagues in this writerly part of my life came to me as a result of that class.  And then, there's also Michael.

Michael, who allowed me to browbeat him into letting me into that class, into forcing us to take a field trip to Cannard Farm, into turning my turn to make the weekly snack into a three course meal, has been a teacher, guide, mentor, willing guinea pig, and friend to me for the last seven years.


When in 2009 Michael came to me and said "I'm going to write a book that looks at cooking from all angles, and I'll need a guide.  Would you like to be it?"  I was ready with a big, fat YES.

We started cooking together on Sundays, sometimes shopping together at the farmer's market on Saturdays, sometimes using leftovers or vegetables from the garden or mushrooms he'd foraged, and always naturally drawing the rest of the family into the kitchen.  Each of us quickly found his or her place in the order of things--Michael as the eager student, me as the mess-making teacher, Judith as the keeper of order, and Isaac as the quality-control-know-it-all.  After a long afternoon of cooking together, we'd sit down to a lovingly prepared meal.  One of my favorite dishes from the whole experience was something we cooked that first time with porcini mushrooms Michael had found in Bolinas the day before--we simmered the trimmings in chicken stock and made a really tasty soup that we ladled over spinach, and then floated duck fat croutons piled with sautéed porcini on top.

We quickly realized cooking for half a day yielded way too much food for just the four of us, and soon Sundays became an excuse for dinner parties with people who, more times than not, ended up joining us and lending a hand in the kitchen.

I did my best to build our lessons around concrete themes, from browning to layering flavors, to specific chemical reactions, to various cuisines of the world, to seasonal ingredients available to us for fleeting moments throughout the year.  We cooked paella in the fire pit, roasted whole pork shoulders (and a couple whole hogs!), we cooked grains and meats and all manner of vegetables and fruits, we made mistakes and fixed them, and we had lots and lots of fun.  We cooked everything we could dream up and shared it all with wonderful people.  I couldn't have imagined a better job.

Michael quickly picked up on my obsession with Salt, Fat, Acid, and Heat and I told him of the book I'd dreamt of writing at the ripe old age of twenty.  He encouraged me to write a four-part curriculum for cooking classes and start teaching.  So I did, and eventually, he encouraged me to turn it into a book proposal.  So I did.  And now I get to share what I shared with Michael with the whole rest of the world.

When Michael wanted to learn about bread, I took him to meet Chad Robertson.  When we went in to observe the bakers at Tartine, I was so inspired by them I asked if we could collaborate sometime and Tartine Afterhours was born.  This experience has given me so much.  It's insane.  Some might even call it MAGIC.


I can't even begin to explain how wonderfully surreal it is to be captured in print by my mentor, teacher, and friend, who also happens to be a bestselling author and international authority on the subject to which I have devoted my life.  But what I can do is share with you one of my favorite bits of the WATER chapter, where I am the main character, teaching him about cooking in pots.  If you have ever met me--and even if you haven't--it'll be immediately apparent that Michael managed to get the exact right balance of my intensity, silliness, mischievousness and enthusiasm down on the page:
As usual, Samin had a white apron tied around her waist, and the thicket of her black hair raked partway back.  Samin is tall and sturdily built, with strong features, slashing black eyebrows and warm olivey-brown skin.  If you had to pick one word to describe her, "avid" would have to be it; Samin is on excellent terms with the exclamation point.  Words tumble from her mouth; laughter, too; and her deep, expressive brown eyes are always up to something.

As honored and excited as I am to be one of the main characters of this book, my favorite parts--the ones that make me cry--have nothing to do with me.  The introduction (which you can read or listen to here) and the conclusion include some of the most articulate, timely, and sensitive arguments for cooking and eating together that I have ever read.  Just as when I first discovered Michael's writing, I feel an ineffable joy at the fact that there is someone brilliant out there advocating my values, arguing for all of the things in which I so deeply believe.  The only difference is that now, that someone is practically family.  


Today is the publishing date for Cooked: A Natural History of Transformation Michael's seventh book.

You can buy it from any of these fine retailers, or, better yet, your local bookstore.  Read it and let me know what you think!
Amazon
Barnes & Noble
IndieBound
Books Inc.
Powell's

Here's MP on the Colbert Report last night.  Hilarious.
Here's a great interview with him and Adam Platt in New York Magazine.
Here's another great interview about how Wendell Berry has inspired his work.
Here's a super informative Cooking FAQ and list of resources on Michael's website.
And here's a list of his book events across the country and beyond.

In case you are interested, I put together a list of cooking resources and will continue to add to it as time goes on.  And I also updated my Amazon.com store (full disclosure, if you buy anything after clicking on an Amazon.com link I post, I make a small commission on that purchase) with all sorts of basic, useful, and luxury kitchen items and books.  

Vin D’Orange

Seville Oranges ii, a photo by cyan blue on Flickr

I'm not quite sure that I remember the first time I tasted vin d'orange, but one thing I do know is that it must have been related, in some way, to Chez Panisse.

Current and former employees of the restaurant alike are obsessed with it.  Bottle corkers have been purchased by the dozen, it's poured liberally at practically every dinner party and celebration, and I think a Seville orange tree might have been planted at the Edible Schoolyard expressly for the promise of future vintages of vin d'orange  (ok, ok--marmalade too).

Vin d'orange is a Provençal apéritif traditionally made with lumpy, bitter, seedy Seville oranges.  I grew up thinking the only use for these sour oranges was as a foil for fried fish, as is done in Iran, but when I began cooking I saw them appear from time to time in the sweet kitchen.  After a little snooping around, I learned the history of the Seville orange as the original citrus used in British marmalades, and the last time I was in Iran, I spent a couple of days picking their nauseatingly fragrant blossoms with my aunt and grandmother in our family orchards so we could distill some orange flower water.  But definitely, the easiest and most elegant use for these fruits is a batch of vin d'orange.

Last week, Martin browbeat me into buying a case of Sevilles from him, and since I don't have the time to make marmalade, Suzanne came over and we made vin d'orange.  Maybe I'll serve it at the next New Year's Eve at Tartine?

Using rosé will yield a really special vin d'orange, but since I try to do this on the cheap, I don't usually bother spending the money.  Jug wine is totally fine for this, since you'll be adding so much sugar, vodka, and of course, oranges.  


Vin d'orange

Adapted from a recipe by Tracy Bates and Suzanne Drexhage

Ingredients:

5 liters crisp, bright white wine such as sauvignon blanc.  You can use rosé if you're a high roller.

1 liter vodka

1 1/2 pounds (681 grams or about 3 1/3 cups) sugar

1 vanilla bean, split

12 Seville or Bouquet de Fleur oranges

1 orange (you can also use a blood or Cara Cara orange here)

1 lemon

Rinse all of the citrus.  Cut all of the fruit into chunks.  I usually cut the oranges in half, then quarter the halves.  This isn't so much about juice as it is about exposed surface area of the fruit.  In fact, juice will make the final product cloudy.

Place everything in a big bucket, give it a stir to dissolve the sugar, cover, and put in a cool space for 30 to 42 days.  I believe that traditionally, it's left for 40 nights, but each batch is different, so it's important to taste it from time to time to see how it's progressing.

I try to fit it all in the back of the fridge, but if that's not possible for you, a cool closet or basement should be fine.  Check on the vin every few days, adjusting the sugar if necessary, and plucking out a few pieces of orange if you notice it's getting too bitter too quickly.

Sometime between 30 to 42 days, when the vin d’orange tastes pleasantly orangey and bitter enough, remove the solids and strain through double layered cheesecloth into bottles, being careful not to pour in the sediment from the bottom of the bucket.  If your vin is especially cloudy, and you're feeling patient, try straining it through a coffee filter.

We usually just collect old wine bottles and remove the labels, then use a corker to cork them back up.  You could also just use a mason jar!

If you used the corker, you can store the vin d'orange at room temperature.  If it's in a mason jar or other unsealed bottle, then keep it in the fridge for up to a year.  The reason why I think it's worth going to the extra trouble to cork it is this: as time passes, the flavors of the wine will mellow and come together.  

Vin d'orange gets better after a few months, and if you can wait, it's really good after a year.  I had a friend who misplaced a few bottles and found them four years later--that was the best batch we'd ever tasted!

Serve chilled, poured over a couple ice cubes, with a twist of orange--the perfect summer aperitif.


Resources

This really cool flow chart of citrus ancestry

Bottle corkers, corks, etc. 

The Oak Barrel

Where to find Seville oranges in the Bay Area:

Monterey Market

Bi-Rite Market

Berkeley Bowl

DeSantis Farm, which goes to Alemany Farmers Market and the Heart of the City Farmers Market

Martin Bournhonesque

Where to find Seville oranges online:

Melissa's

An Alternative:

A recipe for vin d'orange made with sweet oranges, in case you can't get your hands on any Sevilles.

Pig Roast Teasers from peden+munk

it's somewhat unbelievable, and it's gonna take me a while to come back to life, but the 40th is finally over.

it was really, really hard.  and really, really beautiful.

the fantastic peden+munk were with us for two days, capturing the magic.  here are some of their teaser photos.  i can't wait to get my hands on more so i can share them with you!







Couple little things


Okay, so now that the cat is officially out of the bag on the Chez Panisse 40th anniversary projects, I can talk about them here!

A Backyard Pig Roast on Saturday, August 27th: I am super, super stoked to be cooking with my friends Michael Pollan and Jack Hitt at Michael's and his wife Judith's house in North Berkeley.  We threw a similar party last year and it was, well, pretty much the best party I've ever been to.  This one will be even more awesome, with special breads from Chad Robertson and Liz Prueitt of Tartine Bakery, a performance of some sort by Jack (who is the most skillful storyteller I've ever met), some fiddle-playing prodigies, and textiles designed by quilting impresario Laverne Brackens and Christina Kim, and about fifty million kinds of pie and hand-cranked vanilla ice cream.  I may or may not brew up a batch of sarsparilla for the soiree, too!  If you've got an extra G burning a hole in your pocket, call Krissa at 510-843-3811 to get yourself a ticket!

For those of you without all of that extra cash weighing you down, I'm also spearheading Eating for Education, a two-pronged campaign to spread awareness about Edible Education and school gardens nationally.  We're rallying up farm-to-table restaurants across the country to partner up with school gardens and youth garden projects in their communities.  Participating restaurants will spread the word about their local gardens and commit to contributing a percentage of proceeds on Saturday, August 27th to help support the programs.  If you are involved with either a restaurant or a school garden and would like to participate, please email me at samin (at) eatingforeducation (dot) org.

Finally, if you're just not interested in eating out at all, then host a dinner of your own!  What I'm really hoping for is to get families in the kitchen with their kids, so we'll be offering all sorts of resources, recipes and tips over on the website all summer long to get kids in the kitchen to help make dinner on August 27th.

Ten years ago, the thirtieth anniversary of the restaurant blew my mind.  It was the best day of my life and made me feel like part of something really extraordinary--never in my wildest dreams could I have conjured up such a beautiful celebration involving so many special people-- from Edna Lewis to Dario Cecchini to every CP alumnus and alumna from across the globe.  I can only hope that with Eating for Education, I can help bring as many people as possible into the realm of this fantastic restaurant that has stood for so much over the past forty years.  I always say that the direction of my life changed in ways I could have never anticipated, hoped for, or even imagined when I first walked through those creaky wooden doors twelve years ago, and I know I'm far from the only person to have been changed by Lady A and her work.

All of the money raised over the course of these events will benefit the Edible Schoolyard, which over the course of the next several months will transition from just one school garden program in Berkeley to the hub of a national network of school gardens and youth garden projects, with free resources, training, and educational tools for anyone and everyone in the country working to make Edible Education a reality for every schoolchild.  Pretty great, if you ask me.

For a complete listing of 40th anniversary events, including all of the other celebratory dinners, look here.


forty books to celebrate



i had to swing by chez panisse today, and when i tracked cal down in the kitchen, he and nathan were flipping through the auberge of the flowering hearth, a book i haven't picked up for at least eight or nine years, but whose mythical story i love as much as its recipes.

i wondered why they'd chosen this book to cook out of today of all days, and they told me it's their book for the week.  

when i made another confused face, they went on to explain that for each of the forty weeks leading up to the fortieth birthday celebration of the restaurant next august, they'll be writing menus inspired by one of the seminal cookbooks in the chez panisse library.  

brilliant!  but how come i hadn't heard about this yet?  

it's only the second week, cal said.  no one really knows about it yet.  

what was last week?  

richard olney, of course.  

so then i started asking who else was on the list:

scott peacock?  yes.  
niloufer ichaporia?  yes.  
mfk fisher?  yes.
elizabeth david?   
marcella hazan?
madhur jaffrey?

yes.  yes.  yes!

i am in love with this idea...and want to make my own list of forty cookbooks.  who would be on yours?

a few of my favorites:
the cooking of southwest france
honey from a weed
mastering the art of french cooking
the tuscan year 
jane grigson's fruit book
the fannie farmer cookbook
marion cunningham's breakfast book
the art of mexican cooking by diana kennedy
on food and cooking